Book Launch

  • Book Launch - Marketing - Pre-Publication - Publishing

    The Book Launch Experience (a.k.a. My Second White Hair)

    (I've found more since.)

    I grew my second white hair (that I know of) in the run-up to launch day for the first book in the Realm Riders Series. By the time it was of length to notice, it stuck straight out from my head, in the unruly way that coarse hair does, to glow in the light of a restroom sconce while at a dinner with two other couples. Naturally. And while the first one had come around my 30th birthday (an unexpected gift that I promptly plucked), I left this one, like a badge of honor, allowing it to fall out on its own, with countless others, sometime around launch.

    Now, this graying and hair loss was by no means a result of the actual launch day. The day my book officially dropped was perhaps one of the headiest of my 35 years. The outpouring of love and support caught me genuinely off-guard—not because I think the people in my life are anything shy of wonderful, generous human beings, but because I simply didn’t expect such an astonishing deluge to be directed at little ol’ me. I must say, I was quite indescribably awed and humbled. (And thank you again—you know who you are.)

    No, I attribute the white hair to the learning curve that immediately preceded launch day. And unless you texted me in those days prior, you probably don’t know how much trouble I experienced. Despite my publishing adviser’s herculean efforts to help me prepare, there are some things you must simply stumble over yourself. Still, my hope here is that I can further mitigate some of those tripping hazards for anyone planning a launch (or simply enlighten anyone with interest).

    And so, I pick up from my last blog, the Book Launch and Marketing Checklist. It has some great planning tips that I amassed from various sources (and my own trial and error), and I add to the list of how-tos (and how-not-tos) here to better prepare for next time.

    First, the Recap

    I chose to publish independently for several reasons: better royalties, more creative freedom, and complete control over this and any resulting projects. You’ve heard or read me describe myself before: I’m a Virgo and a control-freak. And this was my 10-year-old baby. No way in any realm was I going to hand it over to someone else to rear.

    I published directly through Amazon and Barnes & Noble. I had hoped to go wide by adding D2D Print to my repertoire, but they, like every other wholesaler I’ve researched, are an all-or-nothing platform, and I couldn’t have avoided duplicate listings with Amazon and B&N if I’d published with them, as well. I had no interest in violating the platform rules of the “big two” and risk all listings of my book being taken down. So, I decided to sell additional copies through my website instead, using a PayPal widget. (I’m not endorsing PayPal per se, but they have been easy to work with so far, and I have heard many vendors at art fairs say they’re moving away from Square, mostly for customer service-related reasons. So, something to consider if you’re shopping for such a service yourself.) I may not have the reach through my site that I’d get with a wholesaler, but for the launch, when I needed my Amazon stats to drive up the visibility of my book, it worked out just fine.

    Except when it didn’t.

    Categorically Realmed

    If you’re not aware of how Amazon—or Kindle Direct Publishing (KDP)—works when it comes to book stats, your education must start there, for it informs some of my thought processes. Perhaps you’ll remember my mention of keywords and categories in the pre-pub checklist. Keywords are search terms that direct buyers to your books, and categories are like the shelves of a bookstore or library—they provide a sort of shorthand for the book’s more specific genre characteristics. But that’s not all they do.

    Categories also figure into how a book ranks (in sales), compared to other books in the same category. And there’s a program out there by Dave Chesson called Publisher Rocket (which I don’t get paid to endorse but highly recommend all the same) that helps authors find categories in which to position their books. And I say “position” because it’s all a numbers game. Publisher Rocket gives authors an idea of how many books must be sold to reach the top 10 bestseller rank and the number 1 bestseller rank at Amazon. This means, if you can sell enough books in a single day in a listed category, your title will feature among the top 10 bestselling books in that category. And you want this because the chances of a potential buyer scrolling below the top 10 decreases exponentially with each roll of the mouse wheel or swipe of the thumb. Plus, you get that “bestseller” sticker over the image of your cover—and realm knows, you want that.

    But there’s a process to all this. When a book is published through KDP, the author must assign two primary categories to start. These are rather less specific than those one might research with Publisher Rocket, and the broadness of these first two only widens the competitive pool. So, before you publish, you can spend some time researching the categories you want your book to feature in—preferably with as low a sales number as you can find to get you in that number-one spot. And this must be done for every version of the book you release—eBook, paperback, hardcover, and audiobook—because the stats and categories are different for each. (Not to mention, they’re different in each country, too.)

    I’d researched my keywords and categories so far in advance that they required updating right before launch. It wasn’t much extra work, and I do recommend doing the bulk of your research and selection in advance so that you need only double-check your choices at the last minute to see if anything needs altering. When I originally performed my research, my #1 bestseller rank number for single-day sales for the paperback was 14. When I was finally ready to publish, it had jumped to 22.

    I knew the limits of my reach. I’d been advertising for a while, but it was my generous family-and-friend base that was going to buy the first copies (I was not making assumptions here—they all told me so). So, I knew day one of the launch—August 16—was going to be the most important.

    And to readily facilitate sales, I had to have accurate links for my newsletter, ads, the Buy Now page of my website, and my social media accounts, or I wouldn’t be able to direct people to the places the book was available.

    So, with these two thoughts in mind, I decided to launch in advance of August 16. I attempted to publish my book to Amazon and B&N on the 13th so I could get my buying links and categories updated in advance. After Amazon processes a category request (which lately has been within 24 hours), it can take up to 72 hours for them to display, and I wanted to make sure I had the time for them to hit before the majority of my book sales might take place.

    Of course, what I didn’t realize is that it can take up to 72 hours for Amazon to approve and release the book after you hit “publish.”

    The—thankfully mere—24 hours it took Amazon to release both versions of my book were admittedly somewhat tense. The 13thwas a Saturday, and I had a long list of post-launch tasks planned that I could only tackle once the book was out (i.e. – setting up my Author Central and Goodreads pages, establishing affiliate accounts (I used Amazon Associates to start), updating my purchase links, etc.). Instead, I went to an art fair.

    After the book dropped on the 14th, I requested the update to my categories, and within 24 hours, I received confirmation from an Amazon representative that they had been added. Of course, they wouldn’t be visible for up to 72 hours, so I had no choice but to believe the representative who told me that it had been done.

    It hadn’t.

    My book is technically young-adult fantasy because it’s clean but its characters face adult situations that may be better understood at (a conservative?) 14 and up. I mention this because when I could finally verify that my categories had been added correctly (and check to see if I’d gotten my bestseller sticker), I discovered that only a small fraction of my categories had been added, none of which included that magically low 22 category. Let’s summarize this way: I didn’t get my sticker.

    It turns out, if your book is in the YA category, you must select at least one “juvenile” category among those two broad categories that you input at the time of publication. Of course, no one told me that when they said they’d added the categories, and I sadly never saw that disclaimer among the pages of category information in the KDP FAQ. Not until I inquired about why some categories were missing did an Amazon representative give me an education. I swapped out a juvenile equivalent of a primary category, resubmitted my request, and proceeded to have random, wrong categories added to my books over and over again, request after request. And although I followed their procedure for requesting updates to the letter, it has been a nightmare of endless ineptitude. As of today, when I post this, they’re finally up to date. Launch was over three weeks ago.

    Thankfully, I had no idea this was even an issue until after the launch frenzy had died down, but in the end, it didn’t really matter anyway. Sales are only counted when the book is shipped, which means regardless of when the purchase is submitted, sales stats are at the mercy of how quickly and uniformly Amazon fulfills the orders.

    To add to the inconclusive fun, I believe the number that counts toward the bestseller rank is the number of discrete orders, which is almost impossible to discern from the KDP dashboard because it only counts units sold. Therefore, it fails to distinguish multi-copy orders from single-copy orders, essentially rendering the bestseller sticker application nothing more predictable than a complete surprise for a small-time seller like me.

    But for once, my ignorance benefitted me. I am grateful to have spent launch day basking in the love and support of my family and friends—with only a modicum of anxiety over the Barnes & Noble $#!%-show splashed in for good measure.

    B&N: Better Late than Never

    Barnes & Noble doesn’t make it easy. The process of creating the book isn’t terribly different from Amazon, and having done Amazon first, I had a pretty good idea of what to expect from other platforms. Still, B&N has a few idiosyncrasies that I didn’t face with Amazon.

    Because of the bestseller game I was playing at Amazon, I decided against doing a pre-order with them. The theory here is based on your number of preexisting followers. Those that pre-order will have their books shipped to them by or on the day of release. Those that order on the day of launch will receive them a few days later. So, if you have a small number of potential buyers, and some pre-order while others buy on or after launch, their shipping times will be more varied. And since sales are predicated on shipment, the subsequent dilution of “sales” (read: shipments) in a single day would decrease your potential to snag that bestseller sticker.

    Since I had none of those concerns at B&N, I registered for presale with a release date of August 16 when I set up the book. Their system seems to force you to register for presale if you wish to set a future release date (rather than the day you’re setting up the book). But it allows you to release the book for presale at any point before that set release date. When I decided to release early (rather than releasing into presale mode), I was forced to take the book off presale to move up the release date. Registering for presale was not the mistake. Taking it off presale to release early was.

    B&N’s processing times are outrageous. Their customer support response time has consistently exceeded a week from submission, and their book approval for release took even longer. Had I left the realmed thing on presale and simply pre-released it on the 13th (which I had accidentally done once before but was struggling to do again when I wanted to), it might have released itself on the 16th, but it’s hard to know for sure. Instead, it sat in pending mode for over a week while B&N approved it. And when they finally published it, they failed to notify me. One day, I simply found its status had transitioned from “pending” to “published.”

    At least I could finally update the purchase link on my website.

    Because I wanted most of my sales to funnel through Amazon anyway, I wasn’t too broken up about B&N’s lag on the day of launch. I had worked hard to stack the categorical deck in my favor at Amazon, and the single lane of buying traffic had the potential to increase my chances at getting that bestseller sticker, right?

    Or not.

    But That’s Not All!

    These were not the only punctures in my launch parachute. On August 14, I ordered a bunch of author copies from Amazon to fulfill direct sales from my website and gift a few copies to family and libraries. (If you order copies from Amazon before you release, you can only order proofs, which come with a not-for-sale watermark on them. In other words, you can’t order saleable copies from Amazon prior to release. B&N had no watermark, so their proofs could technically be saleable if you put no stock in the idea that they could one day be valuable….)

    Author copies don’t contribute to the sales rank, but they are priced at wholesale rates, which is nice. Due to the paper shortage (Did you know there was one? Go talk to your local print shop; they’ll tell you all about it.), my author copies weren’t scheduled to arrive until the end of August. So, while my readers could order their copies through Amazon Prime and receive them in two days, I had multiple direct sales pending through my website on August 16 and no books to send to my customers. I, too, resorted to ordering full-priced copies to fulfill the orders and have since heard lead times on author copies are approaching one month. Thankfully, my—now second—set of books finally showed up on August 31st, as promised.

    Due to a mix of complications, like the late breakup with my wholesaler and some cover art issues resulting from non-standardized templates across multiple platforms, my printed advertising materials were still in the works and unavailable for pickup until the day of launch. Any plans I’d had to get printed ads out in advance entirely evaporated. I consoled myself with the idea that I couldn’t make sales if the books weren’t out, and if prospective buyers misplaced the postcard or bookmark prior to launch, they couldn’t be depended upon to buy a copy. Still, despite my efforts to begin that process months in advance of launch, it, too, became another last-minute task.

    I also had the hairbrained idea that I wanted to commission the E-Stamp from my book as an actual, working stamp that I could use during book signings. As I had orders for signed copies through my website, I really needed to have had that brainstorm a few days earlier than I did! Thankfully, the StampedWithLoveXOXO shop I used on Etsy moved extraordinarily fast, and I got the books out to my customers with only relatively short delay. (Those are the sweetest people on Etsy, by the way—I’m convinced of it.)

    I wasn’t entirely prepared when it came to packaging either, though. I not only needed to generate a packing slip and tracking spreadsheet and learn the postage ad-on for PayPal, but I also had to devise a protective (and stylish—come on) way of shipping the books to prevent damage. (If only Amazon had taken such care!) B&N had sent me an author proof in a cardboard mailer (as is their way—and they deserve credit for it), and I was able to use it as a sort of template for securely wrapping my books. But the plague of last-minute inspiration sparked all kinds of fun ideas about the stylish part of that packaging, and I was ill-prepared to implement them all. What resulted was lovely, indeed, but it could have been even better. It’s not a total loss: I’ll be ready for book two.

    I’ll Get It Next Time

    In the two weeks prior to the formal release, I was almost sitting on my hands. Sure, I was working with my printer, updating categories, tweaking my website, buying and assigning ISBNs, ironing things out with my wholesaler (or not), updating my LLC logo to get a bug on my back cover (rather than the spine), prewriting newsletters, setting up the store on my website and configuring PayPal, taking classes on Amazon Ads, connecting with my Launch Teams, generating book images for social media ads I was posting, and my crisscrossed to-do list doesn’t even chronicle what else I did on the fly.

    But my books—remember those?—were just sitting in their platforms, waiting for me to push the “publish” button. And I wish I had.

    The decision to buy ISBNs and publish under my LLC admittedly slowed some things down, and that’s entirely on me. And the print materials will be extraordinarily similar for book two, which will save a lot of time (and design cost). But those hitches won’t hinder book two’s launch because they’re already decided. So, when I do this next time, my timeline is going to look considerably different.

    My “secret” launch, as Dave Chesson calls it, is going to, at minimum, triple from his recommended length (and I’m sure it’s sacrilege to share such trade secrets, but I’m more inclined to help my indie author friends than worry about that realmed Amazon bestseller sticker).

    I will also order author copies the moment the book “secretly” releases. This may not get them to me in time to fulfill website orders, and I may very well have to order additional Prime copies again anyway, but at least I can try. I may also be able to get libraries advance copies, as they must be vetted (which can often take a month or so) before being shelved.

    And for my loyal ARC readers who refuse to post until their purchases have been verified (bless them), they’ll be given the opportunity to purchase copies and post reviews ahead of release.

    If I don’t go wide (a.k.a – use my wholesaler instead of publishing directly with specific platforms), I will figure out how to prerelease with B&N properly and do so at least two weeks before the launch day.

    And if I do decide to go wide… well… I’ll post an update about my third gray hair after book two’s launch.

    -HA

    Do you have any tips of the indie publishing trade? Please share here, and help your fellow authors avoid the pitfalls that you may have experienced. It’s only neighborly.

  • Book Launch - Marketing - Pre-Publication - Publishing

    Brace Yourself: Book Launch and Marketing Checklist

    This is what indie publishing occasionally looks like...

    You’ve already read my blog on beta readers (or if you haven’t, why not?), so you have an idea of some of the less-publicized steps in the hyper-romanticized world of writing a book. But for independent authors (at least those who overlap with grasping perfectionists), the space between writing and publishing is akin to purgatory. From navigating the ins and outs of formatting idiosyncrasies to the creation and execution of your publication marketing plan, finding time to work on the sequel becomes rather tricky.

    In part, this is because many of the elements that require attention take time to complete, and you’ll do a lot of waiting around if you don’t tend to a few of them simultaneously. And you don’t want to realize you misjudged how long a process might take and find yourself scrambling at the last minute, unable to achieve those missing steps before the drop date. 

    For those of you who plan to embark on your first publication or those who periodically checked in to verify that I hadn’t wasted away under my laptop, I hope that this pseudo to-do list helps you understand some of the many things that require consideration in the run-up to publication… and why I got so quiet in the first quarter of the year.

    FORMATTING AND PUBLISHING PLATFORMS

    Step one: write the book. Turns out, this is the easy part.

    But don’t be like me and forget to write any key sections of your front and back matter. This could include acknowledgments, dedications, an about-the-author blurb, an author’s note, table of contents, and whatever else your book may need. (Realm forbid you had hoped to receive a forward or afterward from someone and forgot to chase them down—or even ask them—for it.) Once everything is truly, truly written and edited (you hired an editor, right?), you’ll need to format your manuscript for publication.

    This means you’ll need to determine in which formats you want to publish:

    • eBook
    • Paperback
    • Hardcover
    • Audiobook (and remember, this one has costs associated with it from talent to production and realm knows what else—this is still on my eventual horizon; I’ll update you when I know more)

    If you’re printing a physical copy, you’ll need to select your trim size (dimensions of the book), which will determine how you format it. The process is rather detailed but not super challenging, other than the occasional “oopsie.” It is also something you can hire out if you’re not comfortable with document manipulation. If you do it yourself, save new versions. Regularly. I mean, a lot. Just to be sure you can revert to an old version if needed.

    Knowing your formats might help you decide whether you wish to publish through a single publishing platform or “go wide,” as it’s known in the industry, which means distributing your book through multiple platforms. There are tons of options out there, but here are a few biggies I researched:

    • Amazon
    • Barnes & Noble
    • D2D Print*
    • Ingram Spark

    Unfortunately, wholesalers like Ingram Spark and D2D Print (who uses Ingram Spark as their distributor) currently prohibit authors from opting out of distribution through specific retailers on their list. This means going through them would prevent you from releasing directly with individual retailers like Amazon and B&N because it would create duplicate listings and could cause the de-listing of your book entirely. The issue: deselecting certain retailers would allow indie author to list with sites that pay out higher royalties for publishing directly through them. On the other hand, deselecting large avenues like Amazon and B&N could decrease the wholesaler’s reach and profit, which probably begets the prohibition. You see the conundrum. So, you can go wide and take the hit in royalties, or to get around this, you might consider selling directly from your book or author website (which I’ll detail a bit more below).

    (*But if I may gush momentarily about D2D Print’s incredible customer service…! If I eventually go wide with a wholesaler, they’re my likeliest choice.)

    A couple other considerations may affect which publishing platform(s) you use: whether to buy ISBNs (which I debate in my recently updated blog on ISBNs) and whether to file for copyright (and remember: it takes 1-3 months minimum to process, plus fees). Just don’t waste money on barcodes. Google a free barcode generator to use with your ISBNs if you need one—or use Dave at Kindlepreneur’s generator.)

    But these make up only the tip of the nitty-gritty iceberg. 

    KEYWORDS AND CATEGORIES

    If you’re self-publishing at Amazon, there are plenty of resources out there to help you figure out the process. This is where Dave Chesson’s Publisher Rocket program comes in handy (and, again, I make no money in saying so—I paid for the program out of pocket, too). Dave is an exceptional resource that you should tap as soon as you decide to publish your work. (Self Publishing with Dale is another great resource in the self-publishing biz, and I don’t get paid to say that either.) Dave also has a course on keywords and categories, which he’d bundled in with Publisher Rocket at the time I purchased it. Best thing I could have done. There are frequent sales on the software, so sign up for his awesome newsletters and seize your moment wisely.

    • 7 Keywords – You’ll input these when you upload your manuscript, so you’ll need to research them in advance. Expect to burn a couple afternoons on this… at least.
    • 10 Categories – You’ll sort these out and contact Amazon about associating them with your book on the day of launch. But to start, you’ll choose two of the broader categories at the time of manuscript upload. And you can assign different categories for different global regions, too, so there goes yet another afternoon or two if you care to bother.

    The eye-opening part about this (because this facet of B&N seems to go relatively undiscussed compared to Amazon) is that Barnes & Noble will ask for the same information. So, once you’ve done the work on Amazon, if you’re publishing directly with B&N, too, you can replicate all the work you did. I have no idea whether there is a system for keywords and categories at B&N that is less widely publicized, but if you did it one place, my hope is that copying will suffice.

    Note: Publishing directly with B&N, rather than letting a wholesaler provide them copies, increases your royalties but may hinder your ability to go wide for the reasons outlined in the wholesaler discussion above. B&N also requires a different cover size from Amazon for the wrap-around art, and it’s a huge inconvenience to ask your artist to make two versions, but you’ll thank your artist later when the royalties are (in some cases) double what they would have been from a wholesaler.

    UPLOADING YOUR FORMATTED MANUSCRIPT

    Try to decide whether you’re using free ISBNs or purchased ones before you begin, to avoid having to start again from scratch if you change your mind. Amazon will let you switch between the two in perpetuity until you hit publish, but B&N and other wholesalers who issue free ones likely don’t.

    If you’re printing a physical copy, like a paperback or hardcover, you’ll set that up first (before the eBook).

    1. Upload the “interior” – this is the formatted manuscript (with embedded fonts in a .pdf file) Note: Arial won’t embed, so consider using Calibri for all sans serif font applications (like headers).
    2. Upload the cover art
    3. Check for issues on the previewer
    4. Make changes if necessary and repeat until it’s right
    5. Don’t hit publish

    Begin your eBook instead.

    1. Upload the “interior” – this is the formatted manuscript (with embedded fonts in a .docx file) Note: Arial won’t embed, so consider using Calibri for all sans serif font applications (like headers).
    2. Upload the cover art
    3. Check for issues on the previewer. On Amazon, the eBook previewer also spellchecks for you. This handy tool may catch something that could have been missed by the editor or altered accidentally during formatting. If you find typos, now is the moment to reopen your final print-book interior file, find and fix them for both formats, and re-upload both interiors.
    4. Make changes if necessary and repeat until it’s right.
    5. Don’t hit publish.
    6. Order proof copy of the print version – you’ll probably order several. Mine are stacking up like library litter. But you’ll need to order at least one from each publishing platform to verify they’re going to print properly. Prices vary, especially with shipping rates included, but they can easily range from $10 to $30. Using the eBook typo trick before ordering your first copy may save you one proof purchase.

    PRE-PUBLICATION MARKETING PREPARATION

    I’m not a marketing exec, and I don’t pretend to be. I took an advertising class in college, so I know the occasional phrase, like point-of-purchase and brand positioning. (Yeah, I’m not dazzled by my academic memory either.) I abandoned the idea of taking up advertising as my minor for several reasons, but the one that matters is I don’t have the flare for it. And to complicate matters, I loathe self-promotion. It feels trite and ungenuine and… icky. Frankly, just thinking about it makes me queasy.

    Yet, the independent author has no choice but to self-promote. The devilishly necessary task is the cross I bear for wanting my fists clenched tightly around the reins of this project.

    What’s worse, the responsibility rests with me. If this doesn’t work, I have no one to blame but myself… which is why I hired a marketing company to help. Because I’d much prefer to share that blame? Yes. But also because I don’t know what I’m doing. Nor do I currently have the time to learn the ins and outs of Facebook and Instagram marketing, which I find cumbersome. But they’re still decent avenues to consider.

    Whether you set up Facebook, Instagram, Twitter, TikTok, or Amazon ads (or ads on any other platform), you’ll need images from your artist for them, so get your hands on whatever artwork you can.

    Note: You can get certified in Amazon Ads directly with Amazon, so you should be able to learn their process with relative ease and zero monetary expense. You can also take Dave Chesson’s free Amazon ads course. I took that and a free course from Amazon Ad School, which they promote a couple times a year, neither of which do I get paid to mention.

    It’s not all social media and Amazon Ads, though. If you have a decent and selfless support system of friends and family, they can assist you in your pre-publication marketing preparation. Before your book is released, start with those lovely people (and the rest of your email list—that I hope you’ve been generating) to recruit for hype teams that will help you sell your book around the day of launch.

    • Assemble an ARC (Advanced Review Copy) Team – these are the readers who will receive advanced copies of the book so they are ready to post reviews when it drops. (Make sure you consider the review policies of the site(s) on which you ask them to post reviews to avoid violating their terms and plan accordingly.)
    • Assemble Street Teams – these are the followers who help boost your launch date by posting about it on social media (Online Street Team) and getting out the word via the distribution of physical printed materials to whatever public places will allow it (Physical Street Team). Don’t forget to ask your libraries, as well as your coffee shops, retailers, and galleries, if you can leave materials in their establishments.

    You should also research any promotional programs, especially those tailored to new releases, as these may eventually become unavailable to you once your book has been around for a while. Amazon has a new promotional program (in beta at the time of this post) that looks pretty cool.

    And do a little research on pre-sale programs. Some of these may not behoove indie authors, so you’ll want to be selective. For those publishing through Amazon, who will rely on single-day sales to beat their “best seller” algorithm (this has to do with those pesky categories mentioned above), pre-sales may detract from your concentrated daily numbers. On the other hand, as you’re setting up your book at B&N, you seemingly have no choice but to opt for presale (to publish at a date later than the day you’re uploading your manuscript)—at least until you’re ready to publish, at which time that option can be toggled off, if desired. 

    Ah, and don’t forget live events. So many facets to this—all of which rely on timing. Here are a few you might consider.

    • Host a release/reading/signing party at a local place that is fitting for your subject matter (and hopefully affordable). Consider timing this with a gift-giving holiday, if possible.
    • Go to B&N or other local bookstores to research local author programs and see if you can get in for an author meet-and-greet.
    • Take a free copy(ies) to your local library. Ask if you can leave your printed marketing materials out somewhere and whether you can hold a debut gathering there, maybe to read a few chapters.

    And if you end up doing live events where your book can be sold, remember not everyone carries cash. You’ll need to establish yourself with a credit card POS system (like Square, Zettle, etc.—again, I’m not paid for listing these options and don’t recommend them one way or the other)

    • Some of these places even generate QR codes for you, which you can post on your sales table for touchless payment!
    • And get a state tax number for those states that impose sales tax on purchases!

    Did you also research the option of setting up a store on your website, so people who visit it can buy the book without being directed away from your site? (This is a great option if you want to go wide without sacrificing royalties from listing with an all-or-nothing wholesaler; just understand your reach may not be as good at the beginning.) Adding an ecommerce section to your website may be pricey, depending upon your website host, but they may have a free widget that links to your PayPal or other online payment account. It may not look as swanky as the full integration, but it’s a realm of a lot cheaper and a great way to get started.

    THE RELEASE WORK

    Once your book is released in all formats, you’ll need to set up your authorial pages (like Author Central on Amazon). You can start the process ahead of time, but the pages can’t be completed or go live until your book drops.

    And don’t forget to establish a GoodReads account, even if you don’t love the site (some do, some don’t). Lots of readers believe their reviews on GoodReads tie back to Amazon’s page for a book because review requests (like the review link that populates after you finish an eBook) automatically push readers to GoodReads. However, readers must go to Amazon directly to post their review on Amazon’s book page. Since lots of reviewers will unwittingly post only to GoodReads, you might as well have a presence established there… and at other review sites if you’re so inclined.

    BOOSTING SALES LATER

    And finally, you might consider setting up a Kickstarter as a way to reinvigorate your marketing after the initial rush passes. This might be for the sequel, an audiobook version, merchandise, etc. Whatever it’s for, the campaign will give you another avenue to approach readers who have a strong interest in furthering your work. Just remember to be smart about setting up your rewards so you don’t bankrupt yourself in item and shipping costs. And don’t forget to calculate the platform’s fees (and taxes) when you set up a goal, or you may make less than you’d expected. (I’m considering this avenue, too, and will blog again when I know more.)

    EXHAUSTED YET?

    See? I’ve been doing stuff! But think of how bored you’d have grown with me if I’d sent you a newsletter every time I crossed something off this unending list! And for those of you who know me personally (or know how long my books are) (or read this lengthy blog post), you’re aware that I can be a little verbose if I’m not careful.

    And I’m so rarely careful.

    DON’T BAIL!

    For those of you considering self-publishing, my hope is not to overwhelm you to the point of thinking that publication is beyond your reach (and you will probably have your moments, regardless). If you love your work, your passion will drive you through the rough bumps. Just remember that if you’re publishing independently, no company is doing all these things for you, and I wanted to make you aware of some things you’ll need to do for yourself. 

    The reality is there are even more nitty-gritty details that I neglected to mention here, as some of them may be more a result of preference than functional necessity. But if you have questions, heather@heatherashle.com is where you’ll find me.

    Sure, it can take months from when you type your last word in the manuscript to the time you see your book in print. But if you want a reputation as an author who puts out quality work, you’ll appreciate that time and use it wisely.

    Happy publishing, y’all. And happy reading.

    -HA

    What’d I miss? Let me know in the comments, please!